Playing Baroque Bassoon on a Wolf Scherer II
Current Baroque Instructors
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Carles Cristobal (b. 1976) comes from near Barcelona and began his bassoon studies with Joseph Borras at the Conservatori Professional de Musica de Badalona. In 2004 he completed a diploma in early music at the Schola Cantorum Basiliensis with Claude Wassmer and Donna Agrell.
Since then he has been active as a freelance bassoonist and maintains an intensive collaboration with various ensembles such as the Balthasar Neumann Ensemble (Thomas Hengelbrock), Hesperion XXI and Le Concert de Nations (Jordi Savall), Les Talents Lyriques (Christophe Rousset), Basel Chamber Orchestra, Collegium Vocale Gent (Philippe Herreweghe), Cafe Zimmermann, Freiburg Baroque Orchestra, La Cetra Baroque Orchestra (Andrea Marcon) - to name a few.
His passion for the entire instrumentarium of the bassoon family, from the early Renaissance to the late Romantic period, makes his repertoire very broad and leads to close cooperation with specialized instrument makers. In addition to his work as a bassoonist, he leads research in the areas of musical practice, the history of his instrument, and repertoire. Currently, he is particularly interested in Spanish cantatas of the 18th century with obbligato bajón (dulcian) that have fallen into oblivion.
Carles gained his first pedagogical experience as a teacher of historical bassoon at the Aula de Musica Antiga de Girona (2007-2017). In 2018, he became professor of basson ancien at the Haute École de Musique de Genève, and since 2017 he has been guest lecturer of dulcian at the Schola Cantorum Basiliensis. In September 2021 he became lecturer for historical bassoon at the SCB.
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Letizia Viola is a bassoonist originally from Sicily who lives with her family in Basel. She studied in the concert classes of Milan Turkovic and Sergio Azzolini and was an orchestra academist with the Berliner Philharmoniker. From 2002 to 2017, she was deputy principal bassoonist with the Bremen Philharmonic. In recent years, she has specialised in playing historical instruments at the Schola Cantorum Basiliensis in the classes of Donna Agrell and Pep Borras.
From 2017-2023 she was a research assistant at the FHNW Academy of Music, Schola Cantorum Basiliensis in the SNF project "Out of the bass register - uncovering the organology, pedagogy, and performance practice of small-sized bassoons from the 18th and 19th centuries".She performs regularly with ensembles such as La Cetra Basel, Kammerorchester Basel, Il Pomodoro, La Scintilla, Baltasarneumann Ensemble, Freiburger Barockorchester, the Freitag Akademie and others.
She teaches historical bassoon at the Hochschule Trossingen and modern bassoon at the Music School of Basel as well as at the music schools of Muttenz and Birsfelden. She has been a lecturer in didactics of historical bassoon at the Schola Cantorum Basiliensis since 2022.
Baroque Instructor 2019-2024
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Dr. Anna Marsh is a Baroque wind specialist who is also fluent in Medieval, Renaissance, Classical and Modern instruments. Her interests lie principally in the double-reed family, though she also performs on the Renaissance and Baroque recorder. I started officially studying with Dr. Marsh a month after my 13th birthday.
Highlighted Solo Pieces 2024
Highlighted Chamber Performances 2022-2024
Seattle Historical Arts for Kids - Early Music Youth Academy Highlights
Audio Recordings
Early Music Lessons, Festivals, & Memberships
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Carles Cristóbal Ferran
Schola Cantorum Basiliensis
Basel, Switzerland
Monday, September 25, 2023
Monday, January 29, 2024
Benny Aghassi
Royal Conservatoire of Music - The Hague
Hague, Netherlands
Thursday, January 25, 2024
Ivan Calestani
die MUK
Vienna, Austria
Thursday, January 11, 2024
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Oberlin Conservatory of Music - Baroque Performance Institute
June 2023
Amherst Early Music Festival Baroque Academy
July 2023
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